كاتدرائيّة مار جرجس - صرباسنة ١٨٦٩ اذ كان المطران يوحنّا الحاج (البطربرك لاحقًا) أسقفًا على بعلبك، وكانت صربا تابعة له، إشترى قطعة أرضٍ من بطريركيّة الروم الملكيّين الكاثوليك. فبنيت الكاتدرائيّة بسعي الخوري بولس الأشقر البجّاني. مع موت البطريرك الحاج سنة ١٨٩٠، ضمّت صربا إلى أبرشيّة دمشق. وسنة ١٩٦٠ فصلت عن دمشق لتصبح منطقة صربا نيابةً بطريركيّةً مركزها هذه الكاتدرائيّة. يتميّز بناء الكاتدرائيّة بتصميمٍ بازيليكيّ بسوقٍ واحدة وثلاث مذابح. اللوحات التي تعلو المذابح من عمل الرسّام داوود القرم وتعود للأوائل القرن العشرين.St George’s cathedral - SarbaIn 1869 Mgr.John el Hajj (later patriarch) archbishop of Baalbeck, since Sarba was a dependency of Baalbeck back then, bought a parcel of land from the Melkite Catholic patriarchate to build a church. The construction of the new church began with Fr Boulos al Achkar el Bejjany. When Patriarch el Hajj passed away, Sarba was transferred juridically from the see of Baalbeck to the see of Damascus. In 1860 Sarba was proclaimed an independent ecclesiastical province, a patriarchal vicariate with the cathedral at it’s center. The structure is a single nave with three apses, and three altars. The church holds three early XXth century paintings by Daoud el Qorm.
سنة ١٥٩٠ حدث خلاف بين البطريرك سركيس الرزّي والمطران أنطون الجميّل الذي منعه من زيارة بكفيّا، فاستاء العديد من آل الجميّل جرّاء هذا الخلاف وناصروا البطريرك، ممّا دفعهم لبناء كنيسة جديدة سنة ١٥٩٢ بسعي الخوري عيسى الخرّاط مكرّسة لمار ميخائيل. توسّعت الكنيسة عدّة مرّات أهمّها سنة ١٨٨٧ حين أعاد تكريسها المطران نعمة الله سلوان، وبعد الحرب الأهليّة. تضمّ الكنيسة قبّة نيوغوطيّة يعلوها تمثال مار ميخائيل. لوحة مار ميخائيل هي للمستشرق وليم الألمانيّ تعود لسنة ١٨٣٩، أمّ لوحة العذراء فهي من رسم حبيب خوري سنة ٢٠٠٦.
The church of St Michael - Bikfaya
In 1590 a conflict happened between Patriarch Sarkis el Rezzi and bishop Antoun Gemayel who forbade him from visiting Bikfaya. Because of this mishap, many supporters of the patriarch from the Gemayel clan decided with father Issa Kharrat to build a church dedicated to St Michael in 1592. The church was enlarged and renovated on several occasions, the most important are 1887 when it was rededicated by bishop Nematullah Salean and after the Lebanese Civil War. The church holds a neo gothic bell tower. St Michael’s painting is the work of a german orientalist called William and dates back to 1839. The painting of the Madonna is painted by Habib Khoury in 2006.
House and the Church of St. God's grace (Neamtallah) Hardini Lebanese Maronite Order, Hardine, Lebanon
بيت وكنيسة القديس نعمة الله الحرديني
Hardine
Batroun
North
Hardine’s name is derived from the Syriac language meaning ‘pious’, Witness of justice, Ardent in faith and Square of religion.
It is located about 1100m. above sea level. A large area of very thick forests surrounds it and the following ruins of its inveterate past decorate its mountain terraces:
-The «rocky tile of Hardine» with its marine fossils and its unique length of 350 m along a slope to the west and its width of nearly l00m. Some one said, «The three most beautiful in Mount Lebanon are the valley of Kannoubine, The Palace of Beit Eddine and the tile of Hardine».
–The Temple of God Mercury With 30 majestic pillars built according to the rare ionic style. This temple known as «the roman Palace of Hardine». It’s a really fantastic one; it goes back to the time of Emperor Hadrian Augustus (117-137 A.D).
-“St Fawka’s” monastery (6th century)
-“Patriarchal monastery” since the Maronites came to Lebanon, known as “St. Sergios Alkarn”.
-“St John Alchakf” monastery, since the days of the Crusaders.
-“St Taqla” church in Beit Kassab square. It was the father of St Hardidni, who first started its renovation in the 19th Century.
-The church and hermitage of “St Stephan” in a hollow in a light rock over the Plain of Al Jawz River.
-The ruins of “St Richa’s” monastery, where the Syriac Diocese was moved between 1384 and 1598.
-The hermitages of “St Joseph”, “Ste Anne”, “St Ephram” the Syriac, “St Jacob Jesus’ brother” and “the pottery monastery” in the hollows of Kfarshira, and “the Lady of the Castle” in the hollow of the water spring.
-The Church of “St. Georges and Edna” which is distinguished Christian inscriptions (fish and cross).
-The churches of “St Elias”, “St Challita and Nohra” in the hollows engraved in the rocks, the old parish churches, like “St. Sergios and Bacchus” (rebui1t in 1932). “the Lady of deliverance” (rebuilt in 1948). The current one is St. Shayna” (1844), and finally the church of “St. Tadros” with its maronite alter, The two rebuilt churches of “St. Antonios of Padova” (1907), “St. Thomas” (1950) and the church of “Ste Theresa of the Baby Jesus” (1946).
-The monastery of St. Hardini» built with the donations of the people from Hardine in Lebanon and all over the world.
– Hardine is the hometown of one of Lebanon’s four saints, Saint Nimatullah Hardini (1808-58) who was canonised by Roman Catholic Pope John Paul II in 2004.
The village is naturally protected by the valleys and the rocky mountains around it making it an ideal place for the then new religion (Christianity) to flourish.
Legend has it that in 270AD, a Roman official imprisoned his daughter in Hardine for converting to Christianity. She converted many others in Hardine to the Christian faith.
كنيسة القدّيسة كاترينا كنيسة أرثوذوكسيّة بنيت هذه إبّان الحملة الصليبيّة الثالثة في القرن الثاني عشر بحسب الفنّ الرومانيّ، وكرّست على اسم القبر المقدّس. كانت الكنيسة تابعة لفرسان مالطا. في القرن السابع عشر رُمّمت الكنيسة وسَمّاها السكان على اسم القدّيسة كاترينا. تحوي الكنيسة عدّة أيقونات أهمّها أيقونة القدّيسة كاترينا التي رسمها بوليخرونيوس الكريتي أوائل القرن التاسع عشر.
The Church of St Catherine - Enfeh
The Greek Orthodox church of St Catherine was built in the XIIIth century during the third Crusade according to the romanesque architectural style, and was dedicated to The Holy Sepulcher. The church was a vassal to the Knights of St John of Malta. During the XVIIth century the church was restored and rededicated to St Catherine. The church holds many icons the most important one being that of St Catherine dating back to the early XIXth century, it is the masterpiece of the Cretan iconographer Polychronius.
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